- Flyline Music AG

Direkt zum Seiteninhalt


Produkte > Studio Equipment > Fredenstein > 500 Series > F600 Modules
Digitally controlled Compressor Module

- 500 Series Mono Kompressor Modul, digital gesteurrt
- Gain Reduction durch digitale Attenuatoren/Verstärker
- Keine VCA, FET, Optos, Röhren, Dioden im Signalweg
- Hard-Knee Charakteristik
- High-Pass Filter
- Peak/RMS-Umschaltung
- Kompressor Link-Schalter

The F600A Compressor is truly a novel and unique compressor. It does  not use VCAs, FETs, Optos, remote-cutoff (vari-mu) tubes, diode bridges  or pulse-width switching. It uses a pair of digital controlled  attentator/amplifiers for gain reduction and make-up gain. Thus it gives  a unique sound that is extremely useful regardless of which other  compressors one might own. It has been described as exceptionally  smooth, clean and capable of extreme output levels.

The F600A is a high performance tool for professional recording and  mastering engineers. It comprises of a analog gain control circuit and a  digital side-chain based on two DSPs. This technology can easily  achieve more than 20 dB of gain reduction while maintaining very low  distortion. Up to ten units can be linked together to form a very  accurately matched multi-channel compressor.

Familiar controls include; Threshold, Compression Ratio (1:1 to  100:1), Attack and Release times (dB/linear), and Make-Up Gain. A button  selects RMS or PEAK and Hard-Knee or Soft-Knee, another selects Link  and another button is used for Bypass. A tunable high pass filter can be  tuned from flat up to 4 kHz (!). The F600A can be used as De-Esser, or  on a lathe, as a cutting speed limiter. It also uses an analog VU meter  to traditionally display gain reduction.

If placed in a Fredenstein Bento 6D or 10D, settings will be  automatically displayed on the Bento's LCD display which makes accurate  recalls a breeze.

The F600A features a fully externally and internally balanced signal  path with much lower distortion than conventional compressors. This  simply translates to noticibly cleaner punchier sounds. And it doesn't  sound “digital” and doesn't sound like plug-ins – it's still analog. The  extreme low output impedance with its high current design allows even  the most difficult and complex loads to be driven up to +26 dBu without  sonic impact. Yeah, it's unique.
Copyright 2017. All rights reserved.
Zurück zum Seiteninhalt | Zurück zum Hauptmenü