Studio Equipment

   A Designs

   ADL

   AMS Neve

   AnaMod

   Antelope

   API

   Avalon

   Burl Audio

   Crane Song

   Daking

   Electronaut   NEW

   Elysia

   Eventide

   GML

   Grace Design

   Kush Audio   NEW

   Little Labs

   Manley

   Millennia

   Purple Audio   NEW

   Rockrüpel   NEW

   Roll Music

   Rupert Neve

   5012

   5014   NEW

   5032

   5033   NEW

   5042

   5043

   Preislisten

   True Systems

   Tube Tech


Technische Spezifikationen


Line Amp (Measurements with tape circuit disengaged)

Noise: (Measured at Main Output, un-weighted, 400 Hz-22 kHz, Terminated 40 Ohms Balanced)

  • With Gain at Unity: Better than –100 dBu


  • Frequency Response: (Measured at +10dBu, trim at unity)

  • Main Output: @ 10 Hz. –0.50 dB
                              @ 160 kHz –3 dB


  • Maximum Output Level: Balanced and Floating Transformer Output: +25 dBu

    Total Harmonic Distortion and Noise:

  • @ 1kHz, +20 dBu output level, no load: Better than 0.0015%

  • @ 20Hz, +20 dBu output level, no load: 0.250% typical. Mostly 2nd and 3rd Harmonic


  • Crosstalk: Measured Channel to Channel: Better than –90 dB @ 16kHz

    Buss Output:

  • Output is designed to feed the RND 5014 Buss-mixer, Monitor Amplifier at the internal system

  • level of –2.5 dBu. Output level of the Rupert Neve Designs 5014 is then equal to that of the 5042.


  • Tape FX (Measurements with tape circuit engaged)

    Maximum Output Level:

  • Gain trim at Unity, Saturation at Min +25 dBu

  • Gain trim at Unity, Saturation at Max +6 dBu

  • Noise (Measured at Main Output, un-weighted, 400Hz-22kHz, input terminated 40 Ohms Balanced)

  • With Gain at Unity, Saturation control at Min: Better than –70 dBu

  • With Gain at Unity, Saturation control at Max: Better than –90 dBu


  • Frequency Response:

  • Tape engaged, 7.5 IPS: -3 dB @ 16 kHz

  • Tape engaged, 15 IPS: -3 dB @ 20 kHz

  • Low frequency response varies with input gain and saturation settings.


  • Total Harmonic Distortion and Noise:

  • Tape Engaged: Approximately 1-2% 2nd and 3rd Harmonic below 1 kHz

  • WEITER  -  BACK

    Copyright © Flyline Music AG - All rights reserved.